The panorama-city is a 'theoretical' (that is, visual) simulacrum, in short a picture, whose condition of possibility is an oblivion and a misunderstanding of practices.
Cities were always like people, showing their varying personalities to the traveler. Depending on the city and on the traveler, there might begin a mutual love, or dislike, friendship, or enmity. Where one city will rise a certain individual to glory, it will destroy another...
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Roman Payne
There’s something about arriving in new cities, wandering empty streets with no destination. I will never lose the love for the arriving, but I'm born to leave.
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Charlotte Eriksson
Look, girls know when they’re cute, ” he said. “You don’t have to tell them. All they need to do is look in the mirror. I have one friend out in New York, an attorney. <span style="margin:15px; display:block"></span>She moved out there after the school year...
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Daniel Amory
One of the professors told me last week that he feels bad teaching with the way the economy is now. ‘What’s the point?’ he said. ‘Kids aren’t getting jobs.’ You never hear faculty talk that way. He did.
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Daniel Amory
Do you want to achieve something or do you just want to make money?” asked a nearby man in a white shirt to another man in a striped shirt. I waited for the answer as I slowly walked past them. “Why is it an either...
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Daniel Amory
More Quotes By Michel De Certeau
Finally, the functionalist organization, by privileging progress (i.e. time), causes the condition of its own possibility--space itself--to be forgotten: space thus becomes the blind spot in a scientific and political technology. This is the way in which the Concept-city functions: a place of transformations and...
Reading thus introduces an "art" which is anything but passive.
To walk is to lack a place. It is the indefinite process of being absent and in search of a proper. The moving about that the city mutliplies and concentrates makes the city itself an immense social experience of lacking a place -- an experience...
When he grew old, Aristotle, who is not generally considered a tightrope dancer, liked to lose himself in the most labyrinthine and subtle of discourses […]. ‘The more solitary and isolated I become, the more I come to like stories, ’ he said.
To practice space is thus to repeat the joyful and silent experience of childhood; it is, in a place, to be other and to move toward the other... Kandinsky dreamed of: 'a great city built according to all the rules of architecture and then suddenly...
